| Photography records the gamut of feelings | The difficulty with color is to go beyond the |
| written on the human face, the beauty of the | fact that it's color to have it be not just a |
| earth and skies that man has inherited and the | colorful picture but really be a picture about |
| wealth and confusion man has created. | something. It's difficult. So often color gets |
| - Edward Steichen | caught up in color, and it becomes merely |
| | decorative. Some photographers use [ it ] |
| You've got to push yourself harder. You've got | brilliantly to make visual statements combining |
| to start looking for pictures nobody else could | color and content; otherwise it is empty. |
| take. You've got to take the tools you have and | - Mary Ellen Mark |
| probe deeper. - William Albert Allard | |
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Houston |
St. Paul |
Honolulu |
Glendale |
Flushing |
Lubbock |
Modesto |
Camarillo |
North Canton |
Danbury |
College Park |
Tampa |
Ceres |
Ironwood |
Schenectady |
Demopolis |
Worland |
Covington |
Waltham |
Charleston |
Forest Park |
Mason City |
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| Keep it simple. - Alfred Eienstaedt | It is not the language of painters but the |
| | language of nature which one should listen to. |
| You learn to see by practice. It's just like | . . . The feeling for the things themselves, for |
| playing tennis, you get better the more you | reality, is more important than the feeling for |
| play. The more you look around at things, the | pictures. - Vincent Van Gogh |
| more you see. The more you photograph, the | |
| more you realize what can be photographed | Once photography enters your bloodstream, |
| and what can't be photographed. You just have | it's like a disease. - Anon |
| to keep doing it. - Eliot Porter | |
| | [Photography] is a way of feeling, of touching, |
| | of loving. What you have caught on film is |
| | captured forever . . . it remembers little things, |
| | long after you have forgotten everything. |
| | - Aaron Siskind |
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