| ...words and pictures can work together to | I think the best pictures are often on the edges |
| communicate more powerfully than either | of any situation, I don't find photographing the |
| alone. -William Albert Allard | situation nearly as interesting as |
| | photographing the edges. - William Albert |
| Pictures you have taken have an influence on | Allard |
| those that you are going to make. | |
| That's life! - John Sexton | No place is boring, if you've had a good |
| | night's sleep and have a pocket full of |
| I think you have to have a real point of view | unexposed film. - Robert Adams |
| that's your own. You have to tell it your way. | |
| And, I think that it's a mistake to shoot for a | |
| specific magazine's point of view because it's | |
| never going to be as good. You have to shoot | |
| for yourself and photograph [the way] you | |
| believe it. - Mary Ellen Mark | |
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| Photography suits the temper of this ageof | Now to consult the rules of composition before |
| active bodies and minds. It is a perfect | making a picture is a little like consulting the |
| medium for one whose mind is teeming with | law of gravitation before going for a walk. |
| ideas, imagery, for a prolific worker who | Such rules and laws are deduced from the |
| would be slowed down by painting or | accomplished fact; they are the products of |
| sculpting, for one who sees quickly and acts | reflection . . . - Edward Weston |
| decisively, accurately. - Edward Weston | |
| | It is not the language of painters but the |
| A mad, keen photographer needs to get out | language of nature which one should listen to. |
| into the world and work and make mistakes. | . . . The feeling for the things themselves, for |
| - Sam Abell | reality, is more important than the feeling for |
| | pictures. - Vincent Van Gogh |
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