| I almost never set out to photograph a | A good picture is equivalent to a good deed. |
| landscape, nor do I think of my camera as a | - Vincent Van Gogh |
| means of recording a mountain or an animal | |
| unless I absolutely need a 'record shot'. My | A room hung with pictures is a room hung with |
| first thought is always of light. - Galen | thoughts. - Sir Joshua Reynolds |
| Rowell | |
| | Keep it simple. - Alfred Eienstaedt |
| My own eyes are no more than scouts on a | |
| preliminary search, for the camera's eye may | Sometimes you can tell a large story with a |
| entirely change my idea. - Edward | tiny subject. - Eliot Porter |
| Weston | |
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Miami |
Birmingham |
Warren |
New Bedford |
Moberly |
Carlisle |
Fayetteville |
Hope |
Strongsville |
Sarasota |
Leominster |
Fostoria |
Antigo |
Nederland |
Westfield |
Horsham |
Havre De Grace |
Endicott |
Falls Church |
Dublin |
Auburn |
Darien |
Perrysburg |
Duson |
Boardman |
Malibu |
Tyler |
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| Photography takes an instant out of time, | I think you have to have a real point of view |
| altering life by holding it still. - Dorothea | that's your own. You have to tell it your way. |
| Lange | And, I think that it's a mistake to shoot for a |
| | specific magazine's point of view because it's |
| Now to consult the rules of composition before | never going to be as good. You have to shoot |
| making a picture is a little like consulting the | for yourself and photograph [the way] you |
| law of gravitation before going for a walk. | believe it. - Mary Ellen Mark |
| Such rules and laws are deduced from the | |
| accomplished fact; they are the products of | Memory is very important, the memory of |
| reflection . . . - Edward Weston | each photo taken, flowing at the same speed |
| | as the event. During the work, you have to be |
| | sure that you haven't left any holes, that you've |
| | captured everything, because afterwards it will |
| | be too late. - Henri Cartier Bresson |
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