| "Simply look with perceptive eyes at the | Memory is very important, the memory of |
| world about you, and trust to your own | each photo taken, flowing at the same speed |
| reactions and convictions. Ask yourself: | as the event. During the work, you have to be |
| "Does this subject move me to feel, think | sure that you haven't left any holes, that you've |
| and dream? Can I visualize a print - my own | captured everything, because afterwards it will |
| personal statement of what I feel and want to | be too late. - Henri Cartier Bresson |
| convey - from the subject before me?" | |
| - Ansel Adams | Photography records the gamut of feelings |
| | written on the human face, the beauty of the |
| Photography takes an instant out of time, | earth and skies that man has inherited and the |
| altering life by holding it still. - Dorothea | wealth and confusion man has created. |
| Lange | - Edward Steichen |
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Chicago |
Philadelphia |
Glendale |
Albuquerque |
Fairfax |
Dearborn |
Tacoma |
Conyers |
Bethesda |
Waterbury |
Sylvester |
Durant |
North Augusta |
Conneaut |
North Little Rock |
Los Alamitos |
Beaver Creek |
Durham |
De Land |
Middletown |
Torrington |
Pontoon Beach |
Middletown |
Mcleansville |
Washington Dc |
Lake Buena Vista |
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| I almost never set out to photograph a | A picture is the expression of an impression. If |
| landscape, nor do I think of my camera as a | the beautiful were not in us, how would we |
| means of recording a mountain or an animal | ever recognize it? - Ernst Haas |
| unless I absolutely need a 'record shot'. My | |
| first thought is always of light. - Galen | You learn to see by practice. It's just like |
| Rowell | playing tennis, you get better the more you |
| | play. The more you look around at things, the |
| A mad, keen photographer needs to get out | more you see. The more you photograph, the |
| into the world and work and make mistakes. | more you realize what can be photographed |
| - Sam Abell | and what can't be photographed. You just have |
| | to keep doing it. - Eliot Porter |
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