| Photography is my passion. - Alfred | No place is boring, if you've had a good |
| Stieglitz | night's sleep and have a pocket full of |
| | unexposed film. - Robert Adams |
| Now to consult the rules of composition before | |
| making a picture is a little like consulting the | You can find pictures anywhere. It's simply a |
| law of gravitation before going for a walk. | matter of noticing things and organizing them. |
| Such rules and laws are deduced from the | You just have to care about what's around you |
| accomplished fact; they are the products of | and have a concern with humanity and the |
| reflection . . . - Edward Weston | human comedy. - Elliott Erwitt |
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Los Angeles |
Tucson |
Syracuse |
Toms River |
Grand Junction |
Conroe |
Kerrville |
Altamonte Springs |
Bethesda |
Oshkosh |
New Rochelle |
Ketchum |
Orlando |
Springboro |
Kennewick |
Linthicum |
Newark |
Oskaloosa |
Marion |
San Pedro |
Clarks Summit |
Foristell |
Waterbury |
Albany |
Augusta |
Alexandria Bay |
Jonesboro |
Port Jefferson |
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| The difficulty with color is to go beyond the | Pictures you have taken have an influence on |
| fact that it's color to have it be not just a | those that you are going to make. |
| colorful picture but really be a picture about | That's life! - John Sexton |
| something. It's difficult. So often color gets | |
| caught up in color, and it becomes merely | Memory is very important, the memory of |
| decorative. Some photographers use [ it ] | each photo taken, flowing at the same speed |
| brilliantly to make visual statements combining | as the event. During the work, you have to be |
| color and content; otherwise it is empty. | sure that you haven't left any holes, that you've |
| - Mary Ellen Mark | captured everything, because afterwards it will |
| | be too late. - Henri Cartier Bresson |
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