| I think the best pictures are often on the edges | Photography is my passion. - Alfred |
| of any situation, I don't find photographing the | Stieglitz |
| situation nearly as interesting as | |
| photographing the edges. - William Albert | Above all, it's hard learning to live with vivid |
| Allard | mental images of scenes I cared for and failed |
| | to photograph. It is the edgy existence within |
| A great photograph is one that fully expresses | me of these unmade images that is the only |
| what one feels, in the deepest sense, about | assurance that the best photographs are yet to |
| what is being photographed. - Ansel | be made. - Sam Abell |
| Adams | |
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Houston |
Philadelphia |
Los Angeles |
Cleveland |
Fort Lauderdale |
Richmond |
Fairfax |
Columbus |
Beaufort |
Dubuque |
Thomasville |
New Martinsville |
Bonita Springs |
Livingston |
Canton |
Covington |
Vista |
Westmont |
Mayfield |
Brooklyn Park |
Weston |
Layton |
West Jordan |
Bolton Landing |
Atoka |
Tuscaloosa |
Richmond |
Mount Shasta |
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| One should really use the camera as though | You've got to push yourself harder. You've got |
| tomorrow you'd be stricken blind. | to start looking for pictures nobody else could |
| - Dorothea Lange | take. You've got to take the tools you have and |
| | probe deeper. - William Albert Allard |
| The difficulty with color is to go beyond the | |
| fact that it's color to have it be not just a | I think you have to have a real point of view |
| colorful picture but really be a picture about | that's your own. You have to tell it your way. |
| something. It's difficult. So often color gets | And, I think that it's a mistake to shoot for a |
| caught up in color, and it becomes merely | specific magazine's point of view because it's |
| decorative. Some photographers use [ it ] | never going to be as good. You have to shoot |
| brilliantly to make visual statements combining | for yourself and photograph [the way] you |
| color and content; otherwise it is empty. | believe it. - Mary Ellen Mark |
| - Mary Ellen Mark | |
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