| Photography is about finding out what can | One should really use the camera as though |
| happen in the frame. When you put four | tomorrow you'd be stricken blind. |
| edges around some facts, you change those | - Dorothea Lange |
| facts. - Gary Winogrand | |
| | A mad, keen photographer needs to get out |
| Memory is very important, the memory of | into the world and work and make mistakes. |
| each photo taken, flowing at the same speed | - Sam Abell |
| as the event. During the work, you have to be | |
| sure that you haven't left any holes, that you've | The difficulty with color is to go beyond the |
| captured everything, because afterwards it will | fact that it's color to have it be not just a |
| be too late. - Henri Cartier Bresson | colorful picture but really be a picture about |
| | something. It's difficult. So often color gets |
| | caught up in color, and it becomes merely |
| | decorative. Some photographers use [ it ] |
| | brilliantly to make visual statements combining |
| | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
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| It is not the language of painters but the | A great photograph is one that fully expresses |
| language of nature which one should listen to. | what one feels, in the deepest sense, about |
| . . . The feeling for the things themselves, for | what is being photographed. - Ansel |
| reality, is more important than the feeling for | Adams |
| pictures. - Vincent Van Gogh | |
| | I think the best pictures are often on the edges |
| Photography is my passion. - Alfred | of any situation, I don't find photographing the |
| Stieglitz | situation nearly as interesting as |
| | photographing the edges. - William Albert |
| Above all, it's hard learning to live with vivid | Allard |
| mental images of scenes I cared for and failed | |
| to photograph. It is the edgy existence within | |
| me of these unmade images that is the only | |
| assurance that the best photographs are yet to | |
| be made. - Sam Abell | |
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