| Pictures you have taken have an influence on | My own eyes are no more than scouts on a |
| those that you are going to make. | preliminary search, for the camera's eye may |
| That's life! - John Sexton | entirely change my idea. - Edward |
| | Weston |
| ...words and pictures can work together to | |
| communicate more powerfully than either | The virtue of the camera is not the power it |
| alone. -William Albert Allard | has to transform the photographer into an |
| | artist, but the impulse it gives him to keep on |
| I think you have to have a real point of view | looking. - Brooks Anderson |
| that's your own. You have to tell it your way. | |
| And, I think that it's a mistake to shoot for a | |
| specific magazine's point of view because it's | |
| never going to be as good. You have to shoot | |
| for yourself and photograph [the way] you | |
| believe it. - Mary Ellen Mark | |
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| It is not the language of painters but the | Keep it simple. - Alfred Eienstaedt |
| language of nature which one should listen to. | |
| . . . The feeling for the things themselves, for | No place is boring, if you've had a good |
| reality, is more important than the feeling for | night's sleep and have a pocket full of |
| pictures. - Vincent Van Gogh | unexposed film. - Robert Adams |
| | |
| [Photography] is a way of feeling, of touching, | I think the best pictures are often on the edges |
| of loving. What you have caught on film is | of any situation, I don't find photographing the |
| captured forever . . . it remembers little things, | situation nearly as interesting as |
| long after you have forgotten everything. | photographing the edges. - William Albert |
| - Aaron Siskind | Allard |
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