| My own eyes are no more than scouts on a | Keep it simple. - Alfred Eienstaedt |
| preliminary search, for the camera's eye may | |
| entirely change my idea. - Edward | Sometimes you can tell a large story with a |
| Weston | tiny subject. - Eliot Porter |
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| The difficulty with color is to go beyond the | A room hung with pictures is a room hung with |
| fact that it's color to have it be not just a | thoughts. - Sir Joshua Reynolds |
| colorful picture but really be a picture about | |
| something. It's difficult. So often color gets | I think the best pictures are often on the edges |
| caught up in color, and it becomes merely | of any situation, I don't find photographing the |
| decorative. Some photographers use [ it ] | situation nearly as interesting as |
| brilliantly to make visual statements combining | photographing the edges. - William Albert |
| color and content; otherwise it is empty. | Allard |
| - Mary Ellen Mark | |
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Brooklyn |
Detroit |
Stockton |
Macon |
Wichita |
Tyler |
Moultrie |
Hesperia |
Camp Hill |
Okmulgee |
Corona |
Selmer |
Winnie |
Weaverville |
Burlington |
Green River |
Twin Falls |
Texarkana |
Dyersburg |
Eden |
Bar Harbor |
Prairie Du Chien |
Hagerstown |
Lumberton |
Beaver Dam |
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| Photography is about finding out what can | Once photography enters your bloodstream, |
| happen in the frame. When you put four | it's like a disease. - Anon |
| edges around some facts, you change those | |
| facts. - Gary Winogrand | "Simply look with perceptive eyes at the |
| | world about you, and trust to your own |
| Pictures you have taken have an influence on | reactions and convictions. Ask yourself: |
| those that you are going to make. | "Does this subject move me to feel, think |
| That's life! - John Sexton | and dream? Can I visualize a print - my own |
| | personal statement of what I feel and want to |
| Memory is very important, the memory of | convey - from the subject before me?" |
| each photo taken, flowing at the same speed | - Ansel Adams |
| as the event. During the work, you have to be | |
| sure that you haven't left any holes, that you've | |
| captured everything, because afterwards it will | |
| be too late. - Henri Cartier Bresson | |
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