| A picture is the expression of an impression. If | A mad, keen photographer needs to get out |
| the beautiful were not in us, how would we | into the world and work and make mistakes. |
| ever recognize it? - Ernst Haas | - Sam Abell |
| | |
| No place is boring, if you've had a good | My own eyes are no more than scouts on a |
| night's sleep and have a pocket full of | preliminary search, for the camera's eye may |
| unexposed film. - Robert Adams | entirely change my idea. - Edward |
| | Weston |
| Keep it simple. - Alfred Eienstaedt | |
| | The difficulty with color is to go beyond the |
| | fact that it's color to have it be not just a |
| | colorful picture but really be a picture about |
| | something. It's difficult. So often color gets |
| | caught up in color, and it becomes merely |
| | decorative. Some photographers use [ it ] |
| | brilliantly to make visual statements combining |
| | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
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Tulsa |
Minneapolis |
Colorado Springs |
Gastonia |
Dothan |
Corinth |
Burlingame |
Columbus |
Cincinnati |
New Martinsville |
Beverly Hills |
Fairfield |
Monticello |
Allen Park |
Medford |
Altoona |
Covington |
Waynesboro |
Bell Gardens |
Palm Beach Gardens |
Mocksville |
Pacifica |
New Albany |
Coopersville |
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| [Photography] is a way of feeling, of touching, | Photography is about finding out what can |
| of loving. What you have caught on film is | happen in the frame. When you put four |
| captured forever . . . it remembers little things, | edges around some facts, you change those |
| long after you have forgotten everything. | facts. - Gary Winogrand |
| - Aaron Siskind | |
| | Memory is very important, the memory of |
| It is not the language of painters but the | each photo taken, flowing at the same speed |
| language of nature which one should listen to. | as the event. During the work, you have to be |
| . . . The feeling for the things themselves, for | sure that you haven't left any holes, that you've |
| reality, is more important than the feeling for | captured everything, because afterwards it will |
| pictures. - Vincent Van Gogh | be too late. - Henri Cartier Bresson |
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