| [Photography] is a way of feeling, of touching, | One should really use the camera as though |
| of loving. What you have caught on film is | tomorrow you'd be stricken blind. |
| captured forever . . . it remembers little things, | - Dorothea Lange |
| long after you have forgotten everything. | |
| - Aaron Siskind | The difficulty with color is to go beyond the |
| | fact that it's color to have it be not just a |
| Photography takes an instant out of time, | colorful picture but really be a picture about |
| altering life by holding it still. - Dorothea | something. It's difficult. So often color gets |
| Lange | caught up in color, and it becomes merely |
| | decorative. Some photographers use [ it ] |
| | brilliantly to make visual statements combining |
| | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
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| Keep it simple. - Alfred Eienstaedt | I think you have to have a real point of view |
| | that's your own. You have to tell it your way. |
| No place is boring, if you've had a good | And, I think that it's a mistake to shoot for a |
| night's sleep and have a pocket full of | specific magazine's point of view because it's |
| unexposed film. - Robert Adams | never going to be as good. You have to shoot |
| | for yourself and photograph [the way] you |
| A room hung with pictures is a room hung with | believe it. - Mary Ellen Mark |
| thoughts. - Sir Joshua Reynolds | |
| | Memory is very important, the memory of |
| You learn to see by practice. It's just like | each photo taken, flowing at the same speed |
| playing tennis, you get better the more you | as the event. During the work, you have to be |
| play. The more you look around at things, the | sure that you haven't left any holes, that you've |
| more you see. The more you photograph, the | captured everything, because afterwards it will |
| more you realize what can be photographed | be too late. - Henri Cartier Bresson |
| and what can't be photographed. You just have | |
| to keep doing it. - Eliot Porter | |
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