| [Photography] is a way of feeling, of touching, | A room hung with pictures is a room hung with |
| of loving. What you have caught on film is | thoughts. - Sir Joshua Reynolds |
| captured forever . . . it remembers little things, | |
| long after you have forgotten everything. | A great photograph is one that fully expresses |
| - Aaron Siskind | what one feels, in the deepest sense, about |
| | what is being photographed. - Ansel |
| Once photography enters your bloodstream, | Adams |
| it's like a disease. - Anon | |
| | Keep it simple. - Alfred Eienstaedt |
| "Simply look with perceptive eyes at the | |
| world about you, and trust to your own | |
| reactions and convictions. Ask yourself: | |
| "Does this subject move me to feel, think | |
| and dream? Can I visualize a print - my own | |
| personal statement of what I feel and want to | |
| convey - from the subject before me?" | |
| - Ansel Adams | |
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Chicago |
San Diego |
Philadelphia |
Seattle |
Atlanta |
Savannah |
Wichita |
Spokane |
Harrisonburg |
Mankato |
Kokomo |
Towson |
Glen Burnie |
Springfield |
Ellsworth |
Howell |
Shelby |
Sanford |
Fernandina Beach |
Apex |
Portland |
Cloudcroft |
Folly Beach |
East Greenbush |
St. Francisville |
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| The difficulty with color is to go beyond the | Photography is a major force in explaining |
| fact that it's color to have it be not just a | man to man. - Edward Steichen |
| colorful picture but really be a picture about | |
| something. It's difficult. So often color gets | Photography is about finding out what can |
| caught up in color, and it becomes merely | happen in the frame. When you put four |
| decorative. Some photographers use [ it ] | edges around some facts, you change those |
| brilliantly to make visual statements combining | facts. - Gary Winogrand |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | Memory is very important, the memory of |
| | each photo taken, flowing at the same speed |
| | as the event. During the work, you have to be |
| | sure that you haven't left any holes, that you've |
| | captured everything, because afterwards it will |
| | be too late. - Henri Cartier Bresson |
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