| A great photograph is one that fully expresses | You've got to push yourself harder. You've got |
| what one feels, in the deepest sense, about | to start looking for pictures nobody else could |
| what is being photographed. - Ansel | take. You've got to take the tools you have and |
| Adams | probe deeper. - William Albert Allard |
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| You learn to see by practice. It's just like | Memory is very important, the memory of |
| playing tennis, you get better the more you | each photo taken, flowing at the same speed |
| play. The more you look around at things, the | as the event. During the work, you have to be |
| more you see. The more you photograph, the | sure that you haven't left any holes, that you've |
| more you realize what can be photographed | captured everything, because afterwards it will |
| and what can't be photographed. You just have | be too late. - Henri Cartier Bresson |
| to keep doing it. - Eliot Porter | |
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Los Angeles |
Oklahoma City |
San Francisco |
Joliet |
Torrance |
Norwalk |
Lincoln |
Jacksonville |
Macomb |
Bainbridge |
Andover |
Ottawa |
Crystal River |
Grundy |
Decatur |
Ashland |
Troy |
Cumming |
Worthington |
Geneva |
Wallace |
Fisher Island |
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| My own eyes are no more than scouts on a | Now to consult the rules of composition before |
| preliminary search, for the camera's eye may | making a picture is a little like consulting the |
| entirely change my idea. - Edward | law of gravitation before going for a walk. |
| Weston | Such rules and laws are deduced from the |
| | accomplished fact; they are the products of |
| I almost never set out to photograph a | reflection . . . - Edward Weston |
| landscape, nor do I think of my camera as a | |
| means of recording a mountain or an animal | Once photography enters your bloodstream, |
| unless I absolutely need a 'record shot'. My | it's like a disease. - Anon |
| first thought is always of light. - Galen | |
| Rowell | |
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