| The difficulty with color is to go beyond the | Once photography enters your bloodstream, |
| fact that it's color to have it be not just a | it's like a disease. - Anon |
| colorful picture but really be a picture about | |
| something. It's difficult. So often color gets | Above all, it's hard learning to live with vivid |
| caught up in color, and it becomes merely | mental images of scenes I cared for and failed |
| decorative. Some photographers use [ it ] | to photograph. It is the edgy existence within |
| brilliantly to make visual statements combining | me of these unmade images that is the only |
| color and content; otherwise it is empty. | assurance that the best photographs are yet to |
| - Mary Ellen Mark | be made. - Sam Abell |
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Chicago |
Philadelphia |
Orlando |
Slidell |
Topeka |
Jackson |
Bayside |
Palm Desert |
Thibodaux |
Oshkosh |
Sunnyvale |
Pontiac |
Irmo |
Laguna Beach |
Villa Rica |
Crystal Lake |
Lakewood |
Forsyth |
Kingdom City |
Plainwell |
Uniontown |
Copper Center |
Henderson |
Ben Lomond |
Whitsett |
East Aurora |
Ozark |
Odem |
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| You learn to see by practice. It's just like | Memory is very important, the memory of |
| playing tennis, you get better the more you | each photo taken, flowing at the same speed |
| play. The more you look around at things, the | as the event. During the work, you have to be |
| more you see. The more you photograph, the | sure that you haven't left any holes, that you've |
| more you realize what can be photographed | captured everything, because afterwards it will |
| and what can't be photographed. You just have | be too late. - Henri Cartier Bresson |
| to keep doing it. - Eliot Porter | |
| | You've got to push yourself harder. You've got |
| Sometimes you can tell a large story with a | to start looking for pictures nobody else could |
| tiny subject. - Eliot Porter | take. You've got to take the tools you have and |
| | probe deeper. - William Albert Allard |
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