| One should really use the camera as though | No place is boring, if you've had a good |
| tomorrow you'd be stricken blind. | night's sleep and have a pocket full of |
| - Dorothea Lange | unexposed film. - Robert Adams |
| | |
| I almost never set out to photograph a | I think the best pictures are often on the edges |
| landscape, nor do I think of my camera as a | of any situation, I don't find photographing the |
| means of recording a mountain or an animal | situation nearly as interesting as |
| unless I absolutely need a 'record shot'. My | photographing the edges. - William Albert |
| first thought is always of light. - Galen | Allard |
| Rowell | |
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Los Angeles |
Las Vegas |
St. Louis |
Portland |
Cleveland |
Chicago |
Denver |
Springfield |
Austin |
Fall River |
Longmont |
Red Bank |
Mobile |
Iowa City |
Richland |
Lake Charles |
Mount Airy |
Kalispell |
Truth Or Consequences |
Cleveland |
Hillsdale |
Novi |
Chipley |
Middlesboro |
Menominee |
Klamath Falls |
Moore |
Waukegan |
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| Photography is about finding out what can | It is not the language of painters but the |
| happen in the frame. When you put four | language of nature which one should listen to. |
| edges around some facts, you change those | . . . The feeling for the things themselves, for |
| facts. - Gary Winogrand | reality, is more important than the feeling for |
| | pictures. - Vincent Van Gogh |
| Photography is a major force in explaining | |
| man to man. - Edward Steichen | There is nothing worse than a sharp image of |
| | a fuzzy concept. - Ansel Adams |
| Pictures you have taken have an influence on | |
| those that you are going to make. | "Simply look with perceptive eyes at the |
| That's life! - John Sexton | world about you, and trust to your own |
| | reactions and convictions. Ask yourself: |
| | "Does this subject move me to feel, think |
| | and dream? Can I visualize a print - my own |
| | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| | - Ansel Adams |
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