| Photography takes an instant out of time, | Photography is a major force in explaining |
| altering life by holding it still. - Dorothea | man to man. - Edward Steichen |
| Lange | |
| | Pictures you have taken have an influence on |
| Above all, it's hard learning to live with vivid | those that you are going to make. |
| mental images of scenes I cared for and failed | That's life! - John Sexton |
| to photograph. It is the edgy existence within | |
| me of these unmade images that is the only | Memory is very important, the memory of |
| assurance that the best photographs are yet to | each photo taken, flowing at the same speed |
| be made. - Sam Abell | as the event. During the work, you have to be |
| | sure that you haven't left any holes, that you've |
| | captured everything, because afterwards it will |
| | be too late. - Henri Cartier Bresson |
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Pittsburgh |
Los Angeles |
Portland |
Glendale |
Miami |
Manchester |
Bakersfield |
Anaheim |
Tifton |
Rome |
Midlothian |
Covington |
Irving |
Conway |
Fayetteville |
Edwardsville |
Marysville |
Wiggins |
Arcola |
North Richland Hills |
Salem |
Big Bear Lake |
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| I think the best pictures are often on the edges | My own eyes are no more than scouts on a |
| of any situation, I don't find photographing the | preliminary search, for the camera's eye may |
| situation nearly as interesting as | entirely change my idea. - Edward |
| photographing the edges. - William Albert | Weston |
| Allard | |
| | A mad, keen photographer needs to get out |
| A great photograph is one that fully expresses | into the world and work and make mistakes. |
| what one feels, in the deepest sense, about | - Sam Abell |
| what is being photographed. - Ansel | |
| Adams | The virtue of the camera is not the power it |
| | has to transform the photographer into an |
| | artist, but the impulse it gives him to keep on |
| | looking. - Brooks Anderson |
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