| A great photograph is one that fully expresses | Above all, it's hard learning to live with vivid |
| what one feels, in the deepest sense, about | mental images of scenes I cared for and failed |
| what is being photographed. - Ansel | to photograph. It is the edgy existence within |
| Adams | me of these unmade images that is the only |
| | assurance that the best photographs are yet to |
| You can find pictures anywhere. It's simply a | be made. - Sam Abell |
| matter of noticing things and organizing them. | |
| You just have to care about what's around you | It is not the language of painters but the |
| and have a concern with humanity and the | language of nature which one should listen to. |
| human comedy. - Elliott Erwitt | . . . The feeling for the things themselves, for |
| | reality, is more important than the feeling for |
| | pictures. - Vincent Van Gogh |
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Seattle |
Austin |
New Orleans |
Washington |
St. Louis |
Sacramento |
Fort Lauderdale |
Lakeland |
Jacksonville |
Boulder |
Ventura |
Grand Haven |
Glen Cove |
Hinesville |
Poway |
East Peoria |
Smithfield |
Georgetown |
Hanford |
Lenoir |
Marina Del Rey |
Lowell |
Franklin |
Mount Arlington |
Jonestown |
Mercer Island |
Columbus |
Jackson |
Albuquerque |
Denver Broomfield |
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| I think you have to have a real point of view | I almost never set out to photograph a |
| that's your own. You have to tell it your way. | landscape, nor do I think of my camera as a |
| And, I think that it's a mistake to shoot for a | means of recording a mountain or an animal |
| specific magazine's point of view because it's | unless I absolutely need a 'record shot'. My |
| never going to be as good. You have to shoot | first thought is always of light. - Galen |
| for yourself and photograph [the way] you | Rowell |
| believe it. - Mary Ellen Mark | |
| | A mad, keen photographer needs to get out |
| Memory is very important, the memory of | into the world and work and make mistakes. |
| each photo taken, flowing at the same speed | - Sam Abell |
| as the event. During the work, you have to be | |
| sure that you haven't left any holes, that you've | |
| captured everything, because afterwards it will | |
| be too late. - Henri Cartier Bresson | |
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