| Sometimes you can tell a large story with a | "Simply look with perceptive eyes at the |
| tiny subject. - Eliot Porter | world about you, and trust to your own |
| | reactions and convictions. Ask yourself: |
| You learn to see by practice. It's just like | "Does this subject move me to feel, think |
| playing tennis, you get better the more you | and dream? Can I visualize a print - my own |
| play. The more you look around at things, the | personal statement of what I feel and want to |
| more you see. The more you photograph, the | convey - from the subject before me?" |
| more you realize what can be photographed | - Ansel Adams |
| and what can't be photographed. You just have | |
| to keep doing it. - Eliot Porter | Photography is my passion. - Alfred |
| | Stieglitz |
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New York |
Modesto |
Washington |
New Orleans |
Livonia |
White Plains |
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Clarksville |
Des Moines |
Woodbridge |
Waterbury |
Longwood |
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| The virtue of the camera is not the power it | ...words and pictures can work together to |
| has to transform the photographer into an | communicate more powerfully than either |
| artist, but the impulse it gives him to keep on | alone. -William Albert Allard |
| looking. - Brooks Anderson | |
| | You've got to push yourself harder. You've got |
| Photography suits the temper of this ageof | to start looking for pictures nobody else could |
| active bodies and minds. It is a perfect | take. You've got to take the tools you have and |
| medium for one whose mind is teeming with | probe deeper. - William Albert Allard |
| ideas, imagery, for a prolific worker who | |
| would be slowed down by painting or | Photography knows how to authenticate its |
| sculpting, for one who sees quickly and acts | misrepresentations. - Mason Cooley |
| decisively, accurately. - Edward Weston | |
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