| One should really use the camera as though | I think the best pictures are often on the edges |
| tomorrow you'd be stricken blind. | of any situation, I don't find photographing the |
| - Dorothea Lange | situation nearly as interesting as |
| | photographing the edges. - William Albert |
| My own eyes are no more than scouts on a | Allard |
| preliminary search, for the camera's eye may | |
| entirely change my idea. - Edward | Keep it simple. - Alfred Eienstaedt |
| Weston | |
| | A picture is the expression of an impression. If |
| Photography suits the temper of this ageof | the beautiful were not in us, how would we |
| active bodies and minds. It is a perfect | ever recognize it? - Ernst Haas |
| medium for one whose mind is teeming with | |
| ideas, imagery, for a prolific worker who | |
| would be slowed down by painting or | |
| sculpting, for one who sees quickly and acts | |
| decisively, accurately. - Edward Weston | |
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Miami |
Tulsa |
Philadelphia |
Providence |
Torrance |
Cookeville |
Lawton |
Moline |
Ontario |
Henderson |
Scottsdale |
Rancho Cucamonga |
Jackson |
Essex Junction |
Tuscola |
Ellsworth |
South San Francisco |
Dalhart |
Berwyn |
Madras |
Wallingford |
Gurnee |
Coral Gables |
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| Photography is about finding out what can | Now to consult the rules of composition before |
| happen in the frame. When you put four | making a picture is a little like consulting the |
| edges around some facts, you change those | law of gravitation before going for a walk. |
| facts. - Gary Winogrand | Such rules and laws are deduced from the |
| | accomplished fact; they are the products of |
| Memory is very important, the memory of | reflection . . . - Edward Weston |
| each photo taken, flowing at the same speed | |
| as the event. During the work, you have to be | Above all, it's hard learning to live with vivid |
| sure that you haven't left any holes, that you've | mental images of scenes I cared for and failed |
| captured everything, because afterwards it will | to photograph. It is the edgy existence within |
| be too late. - Henri Cartier Bresson | me of these unmade images that is the only |
| | assurance that the best photographs are yet to |
| | be made. - Sam Abell |
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