| There is nothing worse than a sharp image of | Photography is a major force in explaining |
| a fuzzy concept. - Ansel Adams | man to man. - Edward Steichen |
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| "Simply look with perceptive eyes at the | Pictures you have taken have an influence on |
| world about you, and trust to your own | those that you are going to make. |
| reactions and convictions. Ask yourself: | That's life! - John Sexton |
| "Does this subject move me to feel, think | |
| and dream? Can I visualize a print - my own | Photography knows how to authenticate its |
| personal statement of what I feel and want to | misrepresentations. - Mason Cooley |
| convey - from the subject before me?" | |
| - Ansel Adams | |
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San Francisco |
Houston |
Baton Rouge |
Columbia |
Nashville |
Garland |
Pompano Beach |
Bronx |
Crystal Lake |
Lake Forest |
Garden City |
Kennett Square |
Coldwater |
Yuma |
Clanton |
Northampton |
Absecon |
Columbus |
Grain Valley |
Lacey |
Clinton |
Marysville |
Tillamook |
Decatur |
Barre |
Chiefland |
Corona |
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| The virtue of the camera is not the power it | A good picture is equivalent to a good deed. |
| has to transform the photographer into an | - Vincent Van Gogh |
| artist, but the impulse it gives him to keep on | |
| looking. - Brooks Anderson | Sometimes you can tell a large story with a |
| | tiny subject. - Eliot Porter |
| One should really use the camera as though | |
| tomorrow you'd be stricken blind. | I think the best pictures are often on the edges |
| - Dorothea Lange | of any situation, I don't find photographing the |
| | situation nearly as interesting as |
| A mad, keen photographer needs to get out | photographing the edges. - William Albert |
| into the world and work and make mistakes. | Allard |
| - Sam Abell | |
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