| I think you have to have a real point of view | You can find pictures anywhere. It's simply a |
| that's your own. You have to tell it your way. | matter of noticing things and organizing them. |
| And, I think that it's a mistake to shoot for a | You just have to care about what's around you |
| specific magazine's point of view because it's | and have a concern with humanity and the |
| never going to be as good. You have to shoot | human comedy. - Elliott Erwitt |
| for yourself and photograph [the way] you | |
| believe it. - Mary Ellen Mark | I think the best pictures are often on the edges |
| | of any situation, I don't find photographing the |
| Photography is a major force in explaining | situation nearly as interesting as |
| man to man. - Edward Steichen | photographing the edges. - William Albert |
| | Allard |
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Las Vegas |
Atlanta |
Nashville |
Marietta |
Wilmington |
Biloxi |
Riverside |
Odessa |
West Des Moines |
Santa Rosa |
Plainview |
Lansdale |
New Braunfels |
Corbin |
Melville |
Rochester Hills |
Bordentown |
Melbourne |
Mount Pleasant |
Newnan |
Norwich |
Grayson |
Graham |
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| There is nothing worse than a sharp image of | The difficulty with color is to go beyond the |
| a fuzzy concept. - Ansel Adams | fact that it's color to have it be not just a |
| | colorful picture but really be a picture about |
| Photography takes an instant out of time, | something. It's difficult. So often color gets |
| altering life by holding it still. - Dorothea | caught up in color, and it becomes merely |
| Lange | decorative. Some photographers use [ it ] |
| | brilliantly to make visual statements combining |
| Above all, it's hard learning to live with vivid | color and content; otherwise it is empty. |
| mental images of scenes I cared for and failed | - Mary Ellen Mark |
| to photograph. It is the edgy existence within | |
| me of these unmade images that is the only | |
| assurance that the best photographs are yet to | |
| be made. - Sam Abell | |
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