| A great photograph is one that fully expresses | The difficulty with color is to go beyond the |
| what one feels, in the deepest sense, about | fact that it's color to have it be not just a |
| what is being photographed. - Ansel | colorful picture but really be a picture about |
| Adams | something. It's difficult. So often color gets |
| | caught up in color, and it becomes merely |
| Keep it simple. - Alfred Eienstaedt | decorative. Some photographers use [ it ] |
| | brilliantly to make visual statements combining |
| You can find pictures anywhere. It's simply a | color and content; otherwise it is empty. |
| matter of noticing things and organizing them. | - Mary Ellen Mark |
| You just have to care about what's around you | |
| and have a concern with humanity and the | |
| human comedy. - Elliott Erwitt | |
|
|
Chicago |
Tulsa |
Portland |
Rochester |
Jacksonville |
Denver |
Albuquerque |
Scottsdale |
Rockford |
Florissant |
Branford |
Fort Collins |
Billings |
Palm Bay |
Fairhope |
Sausalito |
Glendora |
Colton |
Seneca |
Mechanicsville |
Hazlehurst |
Ft Myers |
Muskogee |
Surfside Beach |
New Hartford |
Auburn |
Alameda |
West Union |
|
|
| I think you have to have a real point of view | "Simply look with perceptive eyes at the |
| that's your own. You have to tell it your way. | world about you, and trust to your own |
| And, I think that it's a mistake to shoot for a | reactions and convictions. Ask yourself: |
| specific magazine's point of view because it's | "Does this subject move me to feel, think |
| never going to be as good. You have to shoot | and dream? Can I visualize a print - my own |
| for yourself and photograph [the way] you | personal statement of what I feel and want to |
| believe it. - Mary Ellen Mark | convey - from the subject before me?" |
| | - Ansel Adams |
| Photography is about finding out what can | |
| happen in the frame. When you put four | It is not the language of painters but the |
| edges around some facts, you change those | language of nature which one should listen to. |
| facts. - Gary Winogrand | . . . The feeling for the things themselves, for |
| | reality, is more important than the feeling for |
| | pictures. - Vincent Van Gogh |
|