| It is not the language of painters but the | You've got to push yourself harder. You've got |
| language of nature which one should listen to. | to start looking for pictures nobody else could |
| . . . The feeling for the things themselves, for | take. You've got to take the tools you have and |
| reality, is more important than the feeling for | probe deeper. - William Albert Allard |
| pictures. - Vincent Van Gogh | |
| | Memory is very important, the memory of |
| Photography takes an instant out of time, | each photo taken, flowing at the same speed |
| altering life by holding it still. - Dorothea | as the event. During the work, you have to be |
| Lange | sure that you haven't left any holes, that you've |
| | captured everything, because afterwards it will |
| | be too late. - Henri Cartier Bresson |
|
|
Houston |
Seattle |
Albuquerque |
San Diego |
Goldsboro |
Downey |
Clarksburg |
Auburn |
Lawrence |
Roseville |
Winter Park |
Twin Falls |
Florissant |
Beaver Dam |
Mountain View |
Roseburg |
Corydon |
Telluride |
Horseheads |
Simsbury |
Snoqualmie |
Greenfield |
Cahokia |
Sulphur |
Greenville |
Prattville |
Key West |
Toms River |
|
|
| You can find pictures anywhere. It's simply a | The virtue of the camera is not the power it |
| matter of noticing things and organizing them. | has to transform the photographer into an |
| You just have to care about what's around you | artist, but the impulse it gives him to keep on |
| and have a concern with humanity and the | looking. - Brooks Anderson |
| human comedy. - Elliott Erwitt | |
| | I almost never set out to photograph a |
| Sometimes you can tell a large story with a | landscape, nor do I think of my camera as a |
| tiny subject. - Eliot Porter | means of recording a mountain or an animal |
| | unless I absolutely need a 'record shot'. My |
| I think the best pictures are often on the edges | first thought is always of light. - Galen |
| of any situation, I don't find photographing the | Rowell |
| situation nearly as interesting as | |
| photographing the edges. - William Albert | |
| Allard | |
|