| Memory is very important, the memory of | Sometimes you can tell a large story with a |
| each photo taken, flowing at the same speed | tiny subject. - Eliot Porter |
| as the event. During the work, you have to be | |
| sure that you haven't left any holes, that you've | A picture is the expression of an impression. If |
| captured everything, because afterwards it will | the beautiful were not in us, how would we |
| be too late. - Henri Cartier Bresson | ever recognize it? - Ernst Haas |
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| Pictures you have taken have an influence on | No place is boring, if you've had a good |
| those that you are going to make. | night's sleep and have a pocket full of |
| That's life! - John Sexton | unexposed film. - Robert Adams |
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New York |
Phoenix |
Columbus |
Dothan |
Knoxville |
Houston |
Greenville |
Sherman Oaks |
Milledgeville |
Covington |
Gaffney |
Kennesaw |
Linthicum |
Oceanside |
Manitowoc |
Marshall |
Sheridan |
Jupiter |
Beloit |
Killeen |
Greeley |
Milwaukie |
Placentia |
Clarksdale |
Pell City |
Fairfield |
East Peoria |
La Marque |
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| The difficulty with color is to go beyond the | Once photography enters your bloodstream, |
| fact that it's color to have it be not just a | it's like a disease. - Anon |
| colorful picture but really be a picture about | |
| something. It's difficult. So often color gets | Photography takes an instant out of time, |
| caught up in color, and it becomes merely | altering life by holding it still. - Dorothea |
| decorative. Some photographers use [ it ] | Lange |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | There is nothing worse than a sharp image of |
| - Mary Ellen Mark | a fuzzy concept. - Ansel Adams |
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