| I almost never set out to photograph a | Now to consult the rules of composition before |
| landscape, nor do I think of my camera as a | making a picture is a little like consulting the |
| means of recording a mountain or an animal | law of gravitation before going for a walk. |
| unless I absolutely need a 'record shot'. My | Such rules and laws are deduced from the |
| first thought is always of light. - Galen | accomplished fact; they are the products of |
| Rowell | reflection . . . - Edward Weston |
| | |
| My own eyes are no more than scouts on a | Photography is my passion. - Alfred |
| preliminary search, for the camera's eye may | Stieglitz |
| entirely change my idea. - Edward | |
| Weston | |
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Miami |
Cleveland |
Scottsdale |
Peoria |
Mobile |
Bronx |
Chicago |
Warwick |
Pekin |
Charleston |
Paris |
Cathedral City |
Eugene |
Norwalk |
Round Rock |
Ottawa |
Henderson |
Hollister |
Athens |
Elmira |
Corvallis |
Clermont |
Milaca |
Ames |
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| Photography knows how to authenticate its | A great photograph is one that fully expresses |
| misrepresentations. - Mason Cooley | what one feels, in the deepest sense, about |
| | what is being photographed. - Ansel |
| Memory is very important, the memory of | Adams |
| each photo taken, flowing at the same speed | |
| as the event. During the work, you have to be | I think the best pictures are often on the edges |
| sure that you haven't left any holes, that you've | of any situation, I don't find photographing the |
| captured everything, because afterwards it will | situation nearly as interesting as |
| be too late. - Henri Cartier Bresson | photographing the edges. - William Albert |
| | Allard |
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