| Photography is a major force in explaining | The difficulty with color is to go beyond the |
| man to man. - Edward Steichen | fact that it's color to have it be not just a |
| | colorful picture but really be a picture about |
| Photography knows how to authenticate its | something. It's difficult. So often color gets |
| misrepresentations. - Mason Cooley | caught up in color, and it becomes merely |
| | decorative. Some photographers use [ it ] |
| Pictures you have taken have an influence on | brilliantly to make visual statements combining |
| those that you are going to make. | color and content; otherwise it is empty. |
| That's life! - John Sexton | - Mary Ellen Mark |
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Los Angeles |
El Paso |
Little Rock |
Baton Rouge |
Wichita |
Charleston |
Lexington |
Manchester |
Toms River |
Redlands |
San Rafael |
Turlock |
Redwood City |
Lewiston |
Morgan City |
Maple Shade |
Windsor Locks |
Rexburg |
Worland |
Bardstown |
Gardner |
Roswell |
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| A good picture is equivalent to a good deed. | "Simply look with perceptive eyes at the |
| - Vincent Van Gogh | world about you, and trust to your own |
| | reactions and convictions. Ask yourself: |
| You can find pictures anywhere. It's simply a | "Does this subject move me to feel, think |
| matter of noticing things and organizing them. | and dream? Can I visualize a print - my own |
| You just have to care about what's around you | personal statement of what I feel and want to |
| and have a concern with humanity and the | convey - from the subject before me?" |
| human comedy. - Elliott Erwitt | - Ansel Adams |
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| Sometimes you can tell a large story with a | There is nothing worse than a sharp image of |
| tiny subject. - Eliot Porter | a fuzzy concept. - Ansel Adams |
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