| I think the best pictures are often on the edges | "Simply look with perceptive eyes at the |
| of any situation, I don't find photographing the | world about you, and trust to your own |
| situation nearly as interesting as | reactions and convictions. Ask yourself: |
| photographing the edges. - William Albert | "Does this subject move me to feel, think |
| Allard | and dream? Can I visualize a print - my own |
| | personal statement of what I feel and want to |
| A picture is the expression of an impression. If | convey - from the subject before me?" |
| the beautiful were not in us, how would we | - Ansel Adams |
| ever recognize it? - Ernst Haas | |
| | It is not the language of painters but the |
| | language of nature which one should listen to. |
| | . . . The feeling for the things themselves, for |
| | reality, is more important than the feeling for |
| | pictures. - Vincent Van Gogh |
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New York |
Houston |
Scottsdale |
Cleveland |
Memphis |
Decatur |
Redding |
Richland |
Roswell |
Blacksburg |
San Jose |
Grandville |
Camarillo |
St. Joseph |
Greencastle |
Chelsea |
Plymouth |
Cornelius |
Leavenworth |
Price |
Claremore |
Round Rock |
Pekin |
Lakewood |
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| Photography records the gamut of feelings | I almost never set out to photograph a |
| written on the human face, the beauty of the | landscape, nor do I think of my camera as a |
| earth and skies that man has inherited and the | means of recording a mountain or an animal |
| wealth and confusion man has created. | unless I absolutely need a 'record shot'. My |
| - Edward Steichen | first thought is always of light. - Galen |
| | Rowell |
| Photography knows how to authenticate its | |
| misrepresentations. - Mason Cooley | The virtue of the camera is not the power it |
| | has to transform the photographer into an |
| Photography is a major force in explaining | artist, but the impulse it gives him to keep on |
| man to man. - Edward Steichen | looking. - Brooks Anderson |
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