| One should really use the camera as though | There is nothing worse than a sharp image of |
| tomorrow you'd be stricken blind. | a fuzzy concept. - Ansel Adams |
| - Dorothea Lange | |
| | Now to consult the rules of composition before |
| Photography suits the temper of this ageof | making a picture is a little like consulting the |
| active bodies and minds. It is a perfect | law of gravitation before going for a walk. |
| medium for one whose mind is teeming with | Such rules and laws are deduced from the |
| ideas, imagery, for a prolific worker who | accomplished fact; they are the products of |
| would be slowed down by painting or | reflection . . . - Edward Weston |
| sculpting, for one who sees quickly and acts | |
| decisively, accurately. - Edward Weston | |
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| You've got to push yourself harder. You've got | A room hung with pictures is a room hung with |
| to start looking for pictures nobody else could | thoughts. - Sir Joshua Reynolds |
| take. You've got to take the tools you have and | |
| probe deeper. - William Albert Allard | A great photograph is one that fully expresses |
| | what one feels, in the deepest sense, about |
| Memory is very important, the memory of | what is being photographed. - Ansel |
| each photo taken, flowing at the same speed | Adams |
| as the event. During the work, you have to be | |
| sure that you haven't left any holes, that you've | Keep it simple. - Alfred Eienstaedt |
| captured everything, because afterwards it will | |
| be too late. - Henri Cartier Bresson | |
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