| I almost never set out to photograph a | A great photograph is one that fully expresses |
| landscape, nor do I think of my camera as a | what one feels, in the deepest sense, about |
| means of recording a mountain or an animal | what is being photographed. - Ansel |
| unless I absolutely need a 'record shot'. My | Adams |
| first thought is always of light. - Galen | |
| Rowell | A good picture is equivalent to a good deed. |
| | - Vincent Van Gogh |
| A mad, keen photographer needs to get out | |
| into the world and work and make mistakes. | Sometimes you can tell a large story with a |
| - Sam Abell | tiny subject. - Eliot Porter |
|
|
Baltimore |
Chicago |
Lexington |
Wilmington |
Seattle |
Cranston |
Los Angeles |
Conyers |
Palm Harbor |
Peabody |
Lawrenceburg |
Lawton |
Waukegan |
Eden |
Leeds |
Clinton |
Mount Vernon |
Elmhurst |
Rehoboth Beach |
Elizabethtown |
Sanford |
Poteau |
Hollywood |
Seguin |
Oak Forest |
Kailua Kona |
Dana Point |
Hayward |
Van Nuys |
|
|
| Photography records the gamut of feelings | "Simply look with perceptive eyes at the |
| written on the human face, the beauty of the | world about you, and trust to your own |
| earth and skies that man has inherited and the | reactions and convictions. Ask yourself: |
| wealth and confusion man has created. | "Does this subject move me to feel, think |
| - Edward Steichen | and dream? Can I visualize a print - my own |
| | personal statement of what I feel and want to |
| ...words and pictures can work together to | convey - from the subject before me?" |
| communicate more powerfully than either | - Ansel Adams |
| alone. -William Albert Allard | |
| | It is not the language of painters but the |
| | language of nature which one should listen to. |
| | . . . The feeling for the things themselves, for |
| | reality, is more important than the feeling for |
| | pictures. - Vincent Van Gogh |
|