| No place is boring, if you've had a good | Memory is very important, the memory of |
| night's sleep and have a pocket full of | each photo taken, flowing at the same speed |
| unexposed film. - Robert Adams | as the event. During the work, you have to be |
| | sure that you haven't left any holes, that you've |
| A picture is the expression of an impression. If | captured everything, because afterwards it will |
| the beautiful were not in us, how would we | be too late. - Henri Cartier Bresson |
| ever recognize it? - Ernst Haas | |
| | I think you have to have a real point of view |
| A great photograph is one that fully expresses | that's your own. You have to tell it your way. |
| what one feels, in the deepest sense, about | And, I think that it's a mistake to shoot for a |
| what is being photographed. - Ansel | specific magazine's point of view because it's |
| Adams | never going to be as good. You have to shoot |
| | for yourself and photograph [the way] you |
| | believe it. - Mary Ellen Mark |
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Miami |
Atlanta |
Nashville |
San Antonio |
Seattle |
Shreveport |
Dubuque |
Fort Wayne |
Staten Island |
Lake Forest |
New London |
Fort Worth |
Kankakee |
Seekonk |
Rogersville |
Duncan |
Louisburg |
Wendover |
Waukegan |
Jefferson |
Bowie |
Irvine |
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| [Photography] is a way of feeling, of touching, | Photography suits the temper of this ageof |
| of loving. What you have caught on film is | active bodies and minds. It is a perfect |
| captured forever . . . it remembers little things, | medium for one whose mind is teeming with |
| long after you have forgotten everything. | ideas, imagery, for a prolific worker who |
| - Aaron Siskind | would be slowed down by painting or |
| | sculpting, for one who sees quickly and acts |
| Photography takes an instant out of time, | decisively, accurately. - Edward Weston |
| altering life by holding it still. - Dorothea | |
| Lange | The difficulty with color is to go beyond the |
| | fact that it's color to have it be not just a |
| | colorful picture but really be a picture about |
| | something. It's difficult. So often color gets |
| | caught up in color, and it becomes merely |
| | decorative. Some photographers use [ it ] |
| | brilliantly to make visual statements combining |
| | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
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