| Photography is a major force in explaining | The virtue of the camera is not the power it |
| man to man. - Edward Steichen | has to transform the photographer into an |
| | artist, but the impulse it gives him to keep on |
| Pictures you have taken have an influence on | looking. - Brooks Anderson |
| those that you are going to make. | |
| That's life! - John Sexton | The camera makes everyone a tourist in other |
| | people's reality. - Susan Sontag |
| Memory is very important, the memory of | |
| each photo taken, flowing at the same speed | My own eyes are no more than scouts on a |
| as the event. During the work, you have to be | preliminary search, for the camera's eye may |
| sure that you haven't left any holes, that you've | entirely change my idea. - Edward |
| captured everything, because afterwards it will | Weston |
| be too late. - Henri Cartier Bresson | |
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| You learn to see by practice. It's just like | Now to consult the rules of composition before |
| playing tennis, you get better the more you | making a picture is a little like consulting the |
| play. The more you look around at things, the | law of gravitation before going for a walk. |
| more you see. The more you photograph, the | Such rules and laws are deduced from the |
| more you realize what can be photographed | accomplished fact; they are the products of |
| and what can't be photographed. You just have | reflection . . . - Edward Weston |
| to keep doing it. - Eliot Porter | |
| | It is not the language of painters but the |
| A good picture is equivalent to a good deed. | language of nature which one should listen to. |
| - Vincent Van Gogh | . . . The feeling for the things themselves, for |
| | reality, is more important than the feeling for |
| | pictures. - Vincent Van Gogh |
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