| A good picture is equivalent to a good deed. | Photography is about finding out what can |
| - Vincent Van Gogh | happen in the frame. When you put four |
| | edges around some facts, you change those |
| Keep it simple. - Alfred Eienstaedt | facts. - Gary Winogrand |
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| A picture is the expression of an impression. If | Photography knows how to authenticate its |
| the beautiful were not in us, how would we | misrepresentations. - Mason Cooley |
| ever recognize it? - Ernst Haas | |
| | Memory is very important, the memory of |
| You learn to see by practice. It's just like | each photo taken, flowing at the same speed |
| playing tennis, you get better the more you | as the event. During the work, you have to be |
| play. The more you look around at things, the | sure that you haven't left any holes, that you've |
| more you see. The more you photograph, the | captured everything, because afterwards it will |
| more you realize what can be photographed | be too late. - Henri Cartier Bresson |
| and what can't be photographed. You just have | |
| to keep doing it. - Eliot Porter | |
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| The difficulty with color is to go beyond the | Once photography enters your bloodstream, |
| fact that it's color to have it be not just a | it's like a disease. - Anon |
| colorful picture but really be a picture about | |
| something. It's difficult. So often color gets | Photography takes an instant out of time, |
| caught up in color, and it becomes merely | altering life by holding it still. - Dorothea |
| decorative. Some photographers use [ it ] | Lange |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | "Simply look with perceptive eyes at the |
| - Mary Ellen Mark | world about you, and trust to your own |
| | reactions and convictions. Ask yourself: |
| | "Does this subject move me to feel, think |
| | and dream? Can I visualize a print - my own |
| | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| | - Ansel Adams |
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