| One should really use the camera as though | You learn to see by practice. It's just like |
| tomorrow you'd be stricken blind. | playing tennis, you get better the more you |
| - Dorothea Lange | play. The more you look around at things, the |
| | more you see. The more you photograph, the |
| My own eyes are no more than scouts on a | more you realize what can be photographed |
| preliminary search, for the camera's eye may | and what can't be photographed. You just have |
| entirely change my idea. - Edward | to keep doing it. - Eliot Porter |
| Weston | |
| | A great photograph is one that fully expresses |
| The virtue of the camera is not the power it | what one feels, in the deepest sense, about |
| has to transform the photographer into an | what is being photographed. - Ansel |
| artist, but the impulse it gives him to keep on | Adams |
| looking. - Brooks Anderson | |
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San Antonio |
Miami |
Austin |
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Providence |
New York |
Jackson |
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Escondido |
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| [Photography] is a way of feeling, of touching, | Photography records the gamut of feelings |
| of loving. What you have caught on film is | written on the human face, the beauty of the |
| captured forever . . . it remembers little things, | earth and skies that man has inherited and the |
| long after you have forgotten everything. | wealth and confusion man has created. |
| - Aaron Siskind | - Edward Steichen |
| | |
| It is not the language of painters but the | ...words and pictures can work together to |
| language of nature which one should listen to. | communicate more powerfully than either |
| . . . The feeling for the things themselves, for | alone. -William Albert Allard |
| reality, is more important than the feeling for | |
| pictures. - Vincent Van Gogh | |
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