| A great photograph is one that fully expresses | One should really use the camera as though |
| what one feels, in the deepest sense, about | tomorrow you'd be stricken blind. |
| what is being photographed. - Ansel | - Dorothea Lange |
| Adams | |
| | The virtue of the camera is not the power it |
| A picture is the expression of an impression. If | has to transform the photographer into an |
| the beautiful were not in us, how would we | artist, but the impulse it gives him to keep on |
| ever recognize it? - Ernst Haas | looking. - Brooks Anderson |
| | |
| You can find pictures anywhere. It's simply a | The difficulty with color is to go beyond the |
| matter of noticing things and organizing them. | fact that it's color to have it be not just a |
| You just have to care about what's around you | colorful picture but really be a picture about |
| and have a concern with humanity and the | something. It's difficult. So often color gets |
| human comedy. - Elliott Erwitt | caught up in color, and it becomes merely |
| | decorative. Some photographers use [ it ] |
| | brilliantly to make visual statements combining |
| | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
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Los Angeles |
St. Louis |
Dallas |
Indianapolis |
Abilene |
Omaha |
Quincy |
Camp Hill |
Warrensburg |
Springfield |
San Francisco |
Burbank |
Carrollton |
Rosemead |
Crystal River |
Rancho Mirage |
Greenville |
Sauk Centre |
Phenix City |
Paris |
Ada |
West Liberty |
Lima |
Bardstown |
Runnemede |
Hayward |
Port Huron |
Willows |
The Sea Ranch |
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| Photography records the gamut of feelings | It is not the language of painters but the |
| written on the human face, the beauty of the | language of nature which one should listen to. |
| earth and skies that man has inherited and the | . . . The feeling for the things themselves, for |
| wealth and confusion man has created. | reality, is more important than the feeling for |
| - Edward Steichen | pictures. - Vincent Van Gogh |
| | |
| Photography knows how to authenticate its | Photography is my passion. - Alfred |
| misrepresentations. - Mason Cooley | Stieglitz |
| | |
| Memory is very important, the memory of | There is nothing worse than a sharp image of |
| each photo taken, flowing at the same speed | a fuzzy concept. - Ansel Adams |
| as the event. During the work, you have to be | |
| sure that you haven't left any holes, that you've | |
| captured everything, because afterwards it will | |
| be too late. - Henri Cartier Bresson | |
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