| Photography knows how to authenticate its | I think the best pictures are often on the edges |
| misrepresentations. - Mason Cooley | of any situation, I don't find photographing the |
| | situation nearly as interesting as |
| Photography is about finding out what can | photographing the edges. - William Albert |
| happen in the frame. When you put four | Allard |
| edges around some facts, you change those | |
| facts. - Gary Winogrand | You learn to see by practice. It's just like |
| | playing tennis, you get better the more you |
| Photography is a major force in explaining | play. The more you look around at things, the |
| man to man. - Edward Steichen | more you see. The more you photograph, the |
| | more you realize what can be photographed |
| | and what can't be photographed. You just have |
| | to keep doing it. - Eliot Porter |
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Miami |
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| [Photography] is a way of feeling, of touching, | A mad, keen photographer needs to get out |
| of loving. What you have caught on film is | into the world and work and make mistakes. |
| captured forever . . . it remembers little things, | - Sam Abell |
| long after you have forgotten everything. | |
| - Aaron Siskind | One should really use the camera as though |
| | tomorrow you'd be stricken blind. |
| "Simply look with perceptive eyes at the | - Dorothea Lange |
| world about you, and trust to your own | |
| reactions and convictions. Ask yourself: | The difficulty with color is to go beyond the |
| "Does this subject move me to feel, think | fact that it's color to have it be not just a |
| and dream? Can I visualize a print - my own | colorful picture but really be a picture about |
| personal statement of what I feel and want to | something. It's difficult. So often color gets |
| convey - from the subject before me?" | caught up in color, and it becomes merely |
| - Ansel Adams | decorative. Some photographers use [ it ] |
| | brilliantly to make visual statements combining |
| | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
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