| No place is boring, if you've had a good | Photography suits the temper of this ageof |
| night's sleep and have a pocket full of | active bodies and minds. It is a perfect |
| unexposed film. - Robert Adams | medium for one whose mind is teeming with |
| | ideas, imagery, for a prolific worker who |
| A good picture is equivalent to a good deed. | would be slowed down by painting or |
| - Vincent Van Gogh | sculpting, for one who sees quickly and acts |
| | decisively, accurately. - Edward Weston |
| I think the best pictures are often on the edges | |
| of any situation, I don't find photographing the | I almost never set out to photograph a |
| situation nearly as interesting as | landscape, nor do I think of my camera as a |
| photographing the edges. - William Albert | means of recording a mountain or an animal |
| Allard | unless I absolutely need a 'record shot'. My |
| | first thought is always of light. - Galen |
| | Rowell |
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Tucson |
Washington |
Houston |
Cincinnati |
Glendale |
New York |
Davenport |
Fort Worth |
Philadelphia |
Decatur |
Kingston |
Williamston |
Mukwonago |
Statesville |
Whitmore Lake |
Kenner |
Berlin |
Pennsville |
Gallipolis |
South San Francisco |
Debary |
Starke |
Chelan |
Warrenville |
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| Memory is very important, the memory of | Now to consult the rules of composition before |
| each photo taken, flowing at the same speed | making a picture is a little like consulting the |
| as the event. During the work, you have to be | law of gravitation before going for a walk. |
| sure that you haven't left any holes, that you've | Such rules and laws are deduced from the |
| captured everything, because afterwards it will | accomplished fact; they are the products of |
| be too late. - Henri Cartier Bresson | reflection . . . - Edward Weston |
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| Photography knows how to authenticate its | It is not the language of painters but the |
| misrepresentations. - Mason Cooley | language of nature which one should listen to. |
| | . . . The feeling for the things themselves, for |
| | reality, is more important than the feeling for |
| | pictures. - Vincent Van Gogh |
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