| You've got to push yourself harder. You've got | The virtue of the camera is not the power it |
| to start looking for pictures nobody else could | has to transform the photographer into an |
| take. You've got to take the tools you have and | artist, but the impulse it gives him to keep on |
| probe deeper. - William Albert Allard | looking. - Brooks Anderson |
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| Photography is a major force in explaining | The camera makes everyone a tourist in other |
| man to man. - Edward Steichen | people's reality. - Susan Sontag |
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| Memory is very important, the memory of | Photography suits the temper of this ageof |
| each photo taken, flowing at the same speed | active bodies and minds. It is a perfect |
| as the event. During the work, you have to be | medium for one whose mind is teeming with |
| sure that you haven't left any holes, that you've | ideas, imagery, for a prolific worker who |
| captured everything, because afterwards it will | would be slowed down by painting or |
| be too late. - Henri Cartier Bresson | sculpting, for one who sees quickly and acts |
| | decisively, accurately. - Edward Weston |
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| "Simply look with perceptive eyes at the | You can find pictures anywhere. It's simply a |
| world about you, and trust to your own | matter of noticing things and organizing them. |
| reactions and convictions. Ask yourself: | You just have to care about what's around you |
| "Does this subject move me to feel, think | and have a concern with humanity and the |
| and dream? Can I visualize a print - my own | human comedy. - Elliott Erwitt |
| personal statement of what I feel and want to | |
| convey - from the subject before me?" | I think the best pictures are often on the edges |
| - Ansel Adams | of any situation, I don't find photographing the |
| | situation nearly as interesting as |
| Above all, it's hard learning to live with vivid | photographing the edges. - William Albert |
| mental images of scenes I cared for and failed | Allard |
| to photograph. It is the edgy existence within | |
| me of these unmade images that is the only | |
| assurance that the best photographs are yet to | |
| be made. - Sam Abell | |
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