| It is not the language of painters but the | Photography is about finding out what can |
| language of nature which one should listen to. | happen in the frame. When you put four |
| . . . The feeling for the things themselves, for | edges around some facts, you change those |
| reality, is more important than the feeling for | facts. - Gary Winogrand |
| pictures. - Vincent Van Gogh | |
| | Photography is a major force in explaining |
| [Photography] is a way of feeling, of touching, | man to man. - Edward Steichen |
| of loving. What you have caught on film is | |
| captured forever . . . it remembers little things, | Memory is very important, the memory of |
| long after you have forgotten everything. | each photo taken, flowing at the same speed |
| - Aaron Siskind | as the event. During the work, you have to be |
| | sure that you haven't left any holes, that you've |
| | captured everything, because afterwards it will |
| | be too late. - Henri Cartier Bresson |
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Houston |
New York |
Saginaw |
Minneapolis |
Rockford |
El Paso |
Champaign |
Bessemer |
Belleville |
Santa Cruz |
Brooklyn Park |
South Plainfield |
Jacksonville Beach |
Revere |
Seymour |
Celina |
Baxley |
Rutland |
Chillicothe |
Moberly |
Dundee |
Grayson |
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| Photography suits the temper of this ageof | A picture is the expression of an impression. If |
| active bodies and minds. It is a perfect | the beautiful were not in us, how would we |
| medium for one whose mind is teeming with | ever recognize it? - Ernst Haas |
| ideas, imagery, for a prolific worker who | |
| would be slowed down by painting or | No place is boring, if you've had a good |
| sculpting, for one who sees quickly and acts | night's sleep and have a pocket full of |
| decisively, accurately. - Edward Weston | unexposed film. - Robert Adams |
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| The camera makes everyone a tourist in other | A great photograph is one that fully expresses |
| people's reality. - Susan Sontag | what one feels, in the deepest sense, about |
| | what is being photographed. - Ansel |
| | Adams |
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