| It is not the language of painters but the | The virtue of the camera is not the power it |
| language of nature which one should listen to. | has to transform the photographer into an |
| . . . The feeling for the things themselves, for | artist, but the impulse it gives him to keep on |
| reality, is more important than the feeling for | looking. - Brooks Anderson |
| pictures. - Vincent Van Gogh | |
| | The difficulty with color is to go beyond the |
| [Photography] is a way of feeling, of touching, | fact that it's color to have it be not just a |
| of loving. What you have caught on film is | colorful picture but really be a picture about |
| captured forever . . . it remembers little things, | something. It's difficult. So often color gets |
| long after you have forgotten everything. | caught up in color, and it becomes merely |
| - Aaron Siskind | decorative. Some photographers use [ it ] |
| | brilliantly to make visual statements combining |
| | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
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Chicago |
Los Angeles |
New York |
Denver |
Omaha |
Jacksonville |
Columbus |
Memphis |
Pembroke Pines |
Cuyahoga Falls |
Newport News |
Muncie |
Greenwood |
Tinley Park |
Kennesaw |
Smithfield |
Winchester |
Clare |
Gonzales |
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Toccoa |
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| I think you have to have a real point of view | No place is boring, if you've had a good |
| that's your own. You have to tell it your way. | night's sleep and have a pocket full of |
| And, I think that it's a mistake to shoot for a | unexposed film. - Robert Adams |
| specific magazine's point of view because it's | |
| never going to be as good. You have to shoot | A picture is the expression of an impression. If |
| for yourself and photograph [the way] you | the beautiful were not in us, how would we |
| believe it. - Mary Ellen Mark | ever recognize it? - Ernst Haas |
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| Pictures you have taken have an influence on | A good picture is equivalent to a good deed. |
| those that you are going to make. | - Vincent Van Gogh |
| That's life! - John Sexton | |
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