| Photography is a major force in explaining | The difficulty with color is to go beyond the |
| man to man. - Edward Steichen | fact that it's color to have it be not just a |
| | colorful picture but really be a picture about |
| Pictures you have taken have an influence on | something. It's difficult. So often color gets |
| those that you are going to make. | caught up in color, and it becomes merely |
| That's life! - John Sexton | decorative. Some photographers use [ it ] |
| | brilliantly to make visual statements combining |
| I think you have to have a real point of view | color and content; otherwise it is empty. |
| that's your own. You have to tell it your way. | - Mary Ellen Mark |
| And, I think that it's a mistake to shoot for a | |
| specific magazine's point of view because it's | |
| never going to be as good. You have to shoot | |
| for yourself and photograph [the way] you | |
| believe it. - Mary Ellen Mark | |
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| It is not the language of painters but the | Sometimes you can tell a large story with a |
| language of nature which one should listen to. | tiny subject. - Eliot Porter |
| . . . The feeling for the things themselves, for | |
| reality, is more important than the feeling for | A good picture is equivalent to a good deed. |
| pictures. - Vincent Van Gogh | - Vincent Van Gogh |
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| [Photography] is a way of feeling, of touching, | I think the best pictures are often on the edges |
| of loving. What you have caught on film is | of any situation, I don't find photographing the |
| captured forever . . . it remembers little things, | situation nearly as interesting as |
| long after you have forgotten everything. | photographing the edges. - William Albert |
| - Aaron Siskind | Allard |
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