| No place is boring, if you've had a good | There is nothing worse than a sharp image of |
| night's sleep and have a pocket full of | a fuzzy concept. - Ansel Adams |
| unexposed film. - Robert Adams | |
| | [Photography] is a way of feeling, of touching, |
| A great photograph is one that fully expresses | of loving. What you have caught on film is |
| what one feels, in the deepest sense, about | captured forever . . . it remembers little things, |
| what is being photographed. - Ansel | long after you have forgotten everything. |
| Adams | - Aaron Siskind |
| | |
| You learn to see by practice. It's just like | Photography is my passion. - Alfred |
| playing tennis, you get better the more you | Stieglitz |
| play. The more you look around at things, the | |
| more you see. The more you photograph, the | |
| more you realize what can be photographed | |
| and what can't be photographed. You just have | |
| to keep doing it. - Eliot Porter | |
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Washington |
San Jose |
Birmingham |
New York |
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Little Rock |
Downey |
Fort Smith |
Delray Beach |
Milwaukee |
Cape Coral |
Campbell |
Jensen Beach |
Chapel Hill |
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Austin |
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Port Lavaca |
Los Angeles |
Elkhart |
Hartford |
Tulare |
Sonora |
Orangeburg |
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Mechanicsburg |
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North Las Vegas |
Bad Axe |
Crystal Bay |
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| I almost never set out to photograph a | Photography is about finding out what can |
| landscape, nor do I think of my camera as a | happen in the frame. When you put four |
| means of recording a mountain or an animal | edges around some facts, you change those |
| unless I absolutely need a 'record shot'. My | facts. - Gary Winogrand |
| first thought is always of light. - Galen | |
| Rowell | Photography knows how to authenticate its |
| | misrepresentations. - Mason Cooley |
| The difficulty with color is to go beyond the | |
| fact that it's color to have it be not just a | Photography records the gamut of feelings |
| colorful picture but really be a picture about | written on the human face, the beauty of the |
| something. It's difficult. So often color gets | earth and skies that man has inherited and the |
| caught up in color, and it becomes merely | wealth and confusion man has created. |
| decorative. Some photographers use [ it ] | - Edward Steichen |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
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