| "Simply look with perceptive eyes at the | My own eyes are no more than scouts on a |
| world about you, and trust to your own | preliminary search, for the camera's eye may |
| reactions and convictions. Ask yourself: | entirely change my idea. - Edward |
| "Does this subject move me to feel, think | Weston |
| and dream? Can I visualize a print - my own | |
| personal statement of what I feel and want to | The virtue of the camera is not the power it |
| convey - from the subject before me?" | has to transform the photographer into an |
| - Ansel Adams | artist, but the impulse it gives him to keep on |
| | looking. - Brooks Anderson |
| There is nothing worse than a sharp image of | |
| a fuzzy concept. - Ansel Adams | |
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San Antonio |
Fort Worth |
St. Louis |
Denver |
Akron |
Des Moines |
Little Rock |
Newark |
Edmond |
Fresno |
Galesburg |
Columbia |
Franklin |
Southern Pines |
Ventura |
Layton |
Alliance |
La Grande |
Miami Springs |
Chillicothe |
Woonsocket |
Ullin |
Tampa |
Anthony |
Benson |
Jacksonville |
Bridgewater |
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| Keep it simple. - Alfred Eienstaedt | Photography knows how to authenticate its |
| | misrepresentations. - Mason Cooley |
| A picture is the expression of an impression. If | |
| the beautiful were not in us, how would we | Photography is a major force in explaining |
| ever recognize it? - Ernst Haas | man to man. - Edward Steichen |
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| You can find pictures anywhere. It's simply a | Memory is very important, the memory of |
| matter of noticing things and organizing them. | each photo taken, flowing at the same speed |
| You just have to care about what's around you | as the event. During the work, you have to be |
| and have a concern with humanity and the | sure that you haven't left any holes, that you've |
| human comedy. - Elliott Erwitt | captured everything, because afterwards it will |
| | be too late. - Henri Cartier Bresson |
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