| You can find pictures anywhere. It's simply a | You've got to push yourself harder. You've got |
| matter of noticing things and organizing them. | to start looking for pictures nobody else could |
| You just have to care about what's around you | take. You've got to take the tools you have and |
| and have a concern with humanity and the | probe deeper. - William Albert Allard |
| human comedy. - Elliott Erwitt | |
| | Photography records the gamut of feelings |
| No place is boring, if you've had a good | written on the human face, the beauty of the |
| night's sleep and have a pocket full of | earth and skies that man has inherited and the |
| unexposed film. - Robert Adams | wealth and confusion man has created. |
| | - Edward Steichen |
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Los Angeles |
Colorado Springs |
Columbus |
Austin |
Brooklyn |
Baltimore |
Savannah |
Cherry Hill |
New Smyrna Beach |
Tallahassee |
Clarksburg |
West Allis |
Lenoir |
Chandler |
North Platte |
Brenham |
Billings |
Summerville |
Chincoteague |
Siler City |
Westminster |
Brookings |
Midland |
Homestead |
Sturgeon Bay |
Barre |
Beaufort |
Seekonk |
Havre |
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| Above all, it's hard learning to live with vivid | One should really use the camera as though |
| mental images of scenes I cared for and failed | tomorrow you'd be stricken blind. |
| to photograph. It is the edgy existence within | - Dorothea Lange |
| me of these unmade images that is the only | |
| assurance that the best photographs are yet to | A mad, keen photographer needs to get out |
| be made. - Sam Abell | into the world and work and make mistakes. |
| | - Sam Abell |
| Photography takes an instant out of time, | |
| altering life by holding it still. - Dorothea | The difficulty with color is to go beyond the |
| Lange | fact that it's color to have it be not just a |
| | colorful picture but really be a picture about |
| | something. It's difficult. So often color gets |
| | caught up in color, and it becomes merely |
| | decorative. Some photographers use [ it ] |
| | brilliantly to make visual statements combining |
| | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
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