| Now to consult the rules of composition before | One should really use the camera as though |
| making a picture is a little like consulting the | tomorrow you'd be stricken blind. |
| law of gravitation before going for a walk. | - Dorothea Lange |
| Such rules and laws are deduced from the | |
| accomplished fact; they are the products of | The difficulty with color is to go beyond the |
| reflection . . . - Edward Weston | fact that it's color to have it be not just a |
| | colorful picture but really be a picture about |
| "Simply look with perceptive eyes at the | something. It's difficult. So often color gets |
| world about you, and trust to your own | caught up in color, and it becomes merely |
| reactions and convictions. Ask yourself: | decorative. Some photographers use [ it ] |
| "Does this subject move me to feel, think | brilliantly to make visual statements combining |
| and dream? Can I visualize a print - my own | color and content; otherwise it is empty. |
| personal statement of what I feel and want to | - Mary Ellen Mark |
| convey - from the subject before me?" | |
| - Ansel Adams | |
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Chicago |
Cincinnati |
Las Vegas |
San Diego |
Kansas City |
Norfolk |
Mesa |
Panama City |
Jackson |
Glendale |
Southfield |
Baytown |
Morristown |
Carson City |
La Place |
Reading |
Cranberry Township |
Eureka |
South Bend |
Warrenton |
Beeville |
Valparaiso |
Wesley Chapel |
Nederland |
St Petersburg |
Rochelle Park |
Oriskany |
Thomasville |
Fort Montgomery |
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| You can find pictures anywhere. It's simply a | Pictures you have taken have an influence on |
| matter of noticing things and organizing them. | those that you are going to make. |
| You just have to care about what's around you | That's life! - John Sexton |
| and have a concern with humanity and the | |
| human comedy. - Elliott Erwitt | Memory is very important, the memory of |
| | each photo taken, flowing at the same speed |
| I think the best pictures are often on the edges | as the event. During the work, you have to be |
| of any situation, I don't find photographing the | sure that you haven't left any holes, that you've |
| situation nearly as interesting as | captured everything, because afterwards it will |
| photographing the edges. - William Albert | be too late. - Henri Cartier Bresson |
| Allard | |
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