| A picture is the expression of an impression. If | My own eyes are no more than scouts on a |
| the beautiful were not in us, how would we | preliminary search, for the camera's eye may |
| ever recognize it? - Ernst Haas | entirely change my idea. - Edward |
| | Weston |
| Keep it simple. - Alfred Eienstaedt | |
| | Photography suits the temper of this ageof |
| You can find pictures anywhere. It's simply a | active bodies and minds. It is a perfect |
| matter of noticing things and organizing them. | medium for one whose mind is teeming with |
| You just have to care about what's around you | ideas, imagery, for a prolific worker who |
| and have a concern with humanity and the | would be slowed down by painting or |
| human comedy. - Elliott Erwitt | sculpting, for one who sees quickly and acts |
| | decisively, accurately. - Edward Weston |
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Houston |
Boston |
Orlando |
Las Vegas |
Corpus Christi |
Newport News |
Billings |
Duluth |
Alexandria |
Columbus |
Brooksville |
Burlington |
Pittsburgh |
Yuma |
Kearney |
Cypress |
Swedesboro |
Framingham |
Trevose |
Yardley |
Excelsior Springs |
Goodyear |
Bozeman |
Arlington |
Willmar |
Kernersville |
Shelbyville |
Parsippany |
Longwood |
Plainfield |
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| "Simply look with perceptive eyes at the | ...words and pictures can work together to |
| world about you, and trust to your own | communicate more powerfully than either |
| reactions and convictions. Ask yourself: | alone. -William Albert Allard |
| "Does this subject move me to feel, think | |
| and dream? Can I visualize a print - my own | Memory is very important, the memory of |
| personal statement of what I feel and want to | each photo taken, flowing at the same speed |
| convey - from the subject before me?" | as the event. During the work, you have to be |
| - Ansel Adams | sure that you haven't left any holes, that you've |
| | captured everything, because afterwards it will |
| Photography is my passion. - Alfred | be too late. - Henri Cartier Bresson |
| Stieglitz | |
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