| I think the best pictures are often on the edges | Above all, it's hard learning to live with vivid |
| of any situation, I don't find photographing the | mental images of scenes I cared for and failed |
| situation nearly as interesting as | to photograph. It is the edgy existence within |
| photographing the edges. - William Albert | me of these unmade images that is the only |
| Allard | assurance that the best photographs are yet to |
| | be made. - Sam Abell |
| A picture is the expression of an impression. If | |
| the beautiful were not in us, how would we | Now to consult the rules of composition before |
| ever recognize it? - Ernst Haas | making a picture is a little like consulting the |
| | law of gravitation before going for a walk. |
| | Such rules and laws are deduced from the |
| | accomplished fact; they are the products of |
| | reflection . . . - Edward Weston |
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Philadelphia |
Flushing |
Atlanta |
Albany |
Moline |
Monroe |
Alameda |
Palm Beach Gardens |
Chesapeake |
Poway |
Woodland Hills |
Englewood |
Woodstock |
Logan |
Houma |
Bedford |
Lemoore |
New Iberia |
Eugene |
Winter Park |
Gunnison |
Lawrenceburg |
Fort Pierce |
Maryville |
Jeffersonville |
Algadones |
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| The difficulty with color is to go beyond the | You've got to push yourself harder. You've got |
| fact that it's color to have it be not just a | to start looking for pictures nobody else could |
| colorful picture but really be a picture about | take. You've got to take the tools you have and |
| something. It's difficult. So often color gets | probe deeper. - William Albert Allard |
| caught up in color, and it becomes merely | |
| decorative. Some photographers use [ it ] | Memory is very important, the memory of |
| brilliantly to make visual statements combining | each photo taken, flowing at the same speed |
| color and content; otherwise it is empty. | as the event. During the work, you have to be |
| - Mary Ellen Mark | sure that you haven't left any holes, that you've |
| | captured everything, because afterwards it will |
| | be too late. - Henri Cartier Bresson |
|