| You learn to see by practice. It's just like | Photography records the gamut of feelings |
| playing tennis, you get better the more you | written on the human face, the beauty of the |
| play. The more you look around at things, the | earth and skies that man has inherited and the |
| more you see. The more you photograph, the | wealth and confusion man has created. |
| more you realize what can be photographed | - Edward Steichen |
| and what can't be photographed. You just have | |
| to keep doing it. - Eliot Porter | You've got to push yourself harder. You've got |
| | to start looking for pictures nobody else could |
| You can find pictures anywhere. It's simply a | take. You've got to take the tools you have and |
| matter of noticing things and organizing them. | probe deeper. - William Albert Allard |
| You just have to care about what's around you | |
| and have a concern with humanity and the | |
| human comedy. - Elliott Erwitt | |
|
|
Chicago |
Riverside |
Aurora |
Toms River |
El Paso |
Columbia |
High Point |
Medford |
Coral Gables |
Rockville Centre |
Philadelphia |
Richfield |
Perrysburg |
Toccoa |
Sparks |
Collins |
Norfolk Virginia Beach |
Paris |
Pellston |
Clarksdale |
Seaford |
Indian River |
Brookings |
Charles Town |
West Dennis |
Garden City |
Coconut Grove |
Davison |
Lawrenceville |
Owings Mills |
|
|
| Photography suits the temper of this ageof | Photography is my passion. - Alfred |
| active bodies and minds. It is a perfect | Stieglitz |
| medium for one whose mind is teeming with | |
| ideas, imagery, for a prolific worker who | "Simply look with perceptive eyes at the |
| would be slowed down by painting or | world about you, and trust to your own |
| sculpting, for one who sees quickly and acts | reactions and convictions. Ask yourself: |
| decisively, accurately. - Edward Weston | "Does this subject move me to feel, think |
| | and dream? Can I visualize a print - my own |
| The virtue of the camera is not the power it | personal statement of what I feel and want to |
| has to transform the photographer into an | convey - from the subject before me?" |
| artist, but the impulse it gives him to keep on | - Ansel Adams |
| looking. - Brooks Anderson | |
|