| ...words and pictures can work together to | Above all, it's hard learning to live with vivid |
| communicate more powerfully than either | mental images of scenes I cared for and failed |
| alone. -William Albert Allard | to photograph. It is the edgy existence within |
| | me of these unmade images that is the only |
| Pictures you have taken have an influence on | assurance that the best photographs are yet to |
| those that you are going to make. | be made. - Sam Abell |
| That's life! - John Sexton | |
| | [Photography] is a way of feeling, of touching, |
| Photography is about finding out what can | of loving. What you have caught on film is |
| happen in the frame. When you put four | captured forever . . . it remembers little things, |
| edges around some facts, you change those | long after you have forgotten everything. |
| facts. - Gary Winogrand | - Aaron Siskind |
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Fresno |
Corpus Christi |
Peoria |
San Jose |
Fort Myers |
Hollywood |
Burbank |
West Monroe |
Saraland |
Bluffton |
Alsip |
Conroe |
Ashland |
Clackamas |
Flint |
Harrisonburg |
Colton |
Belen |
Atlanta |
Tannersville |
Milford |
San Carlos |
Goodlettsville |
Mount Dora |
Fairfield |
Warren |
Pellston |
Alexander City |
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| The virtue of the camera is not the power it | No place is boring, if you've had a good |
| has to transform the photographer into an | night's sleep and have a pocket full of |
| artist, but the impulse it gives him to keep on | unexposed film. - Robert Adams |
| looking. - Brooks Anderson | |
| | A room hung with pictures is a room hung with |
| A mad, keen photographer needs to get out | thoughts. - Sir Joshua Reynolds |
| into the world and work and make mistakes. | |
| - Sam Abell | A picture is the expression of an impression. If |
| | the beautiful were not in us, how would we |
| The difficulty with color is to go beyond the | ever recognize it? - Ernst Haas |
| fact that it's color to have it be not just a | |
| colorful picture but really be a picture about | |
| something. It's difficult. So often color gets | |
| caught up in color, and it becomes merely | |
| decorative. Some photographers use [ it ] | |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
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