| It is not the language of painters but the | Memory is very important, the memory of |
| language of nature which one should listen to. | each photo taken, flowing at the same speed |
| . . . The feeling for the things themselves, for | as the event. During the work, you have to be |
| reality, is more important than the feeling for | sure that you haven't left any holes, that you've |
| pictures. - Vincent Van Gogh | captured everything, because afterwards it will |
| | be too late. - Henri Cartier Bresson |
| [Photography] is a way of feeling, of touching, | |
| of loving. What you have caught on film is | ...words and pictures can work together to |
| captured forever . . . it remembers little things, | communicate more powerfully than either |
| long after you have forgotten everything. | alone. -William Albert Allard |
| - Aaron Siskind | |
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Los Angeles |
Nashville |
Columbus |
Virginia Beach |
Omaha |
Pasadena |
Hartford |
Phoenix |
St. Paul |
Melbourne |
Springfield |
Key West |
Yuma |
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Rolla |
El Paso |
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North Brunswick |
Altavista |
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| A picture is the expression of an impression. If | A mad, keen photographer needs to get out |
| the beautiful were not in us, how would we | into the world and work and make mistakes. |
| ever recognize it? - Ernst Haas | - Sam Abell |
| | |
| A great photograph is one that fully expresses | My own eyes are no more than scouts on a |
| what one feels, in the deepest sense, about | preliminary search, for the camera's eye may |
| what is being photographed. - Ansel | entirely change my idea. - Edward |
| Adams | Weston |
| | |
| You can find pictures anywhere. It's simply a | The difficulty with color is to go beyond the |
| matter of noticing things and organizing them. | fact that it's color to have it be not just a |
| You just have to care about what's around you | colorful picture but really be a picture about |
| and have a concern with humanity and the | something. It's difficult. So often color gets |
| human comedy. - Elliott Erwitt | caught up in color, and it becomes merely |
| | decorative. Some photographers use [ it ] |
| | brilliantly to make visual statements combining |
| | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
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