| Photography takes an instant out of time, | I think the best pictures are often on the edges |
| altering life by holding it still. - Dorothea | of any situation, I don't find photographing the |
| Lange | situation nearly as interesting as |
| | photographing the edges. - William Albert |
| "Simply look with perceptive eyes at the | Allard |
| world about you, and trust to your own | |
| reactions and convictions. Ask yourself: | A picture is the expression of an impression. If |
| "Does this subject move me to feel, think | the beautiful were not in us, how would we |
| and dream? Can I visualize a print - my own | ever recognize it? - Ernst Haas |
| personal statement of what I feel and want to | |
| convey - from the subject before me?" | |
| - Ansel Adams | |
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New York |
Houston |
Lima |
New Brunswick |
Fall River |
Coral Springs |
Fort Smith |
Pasadena |
Webster |
Fremont |
Flint |
Dallas |
Shenandoah |
Montgomery |
Des Moines |
Ada |
Glen Ellyn |
Tigard |
Cahokia |
Frackville |
Boardman |
Woodward |
Ashburn |
Chantilly |
Ontario |
Sterling |
Halsey |
Buckhannon |
Richmond |
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| Pictures you have taken have an influence on | One should really use the camera as though |
| those that you are going to make. | tomorrow you'd be stricken blind. |
| That's life! - John Sexton | - Dorothea Lange |
| | |
| I think you have to have a real point of view | The virtue of the camera is not the power it |
| that's your own. You have to tell it your way. | has to transform the photographer into an |
| And, I think that it's a mistake to shoot for a | artist, but the impulse it gives him to keep on |
| specific magazine's point of view because it's | looking. - Brooks Anderson |
| never going to be as good. You have to shoot | |
| for yourself and photograph [the way] you | The camera makes everyone a tourist in other |
| believe it. - Mary Ellen Mark | people's reality. - Susan Sontag |
|